Move Fast and Break Things by Jonathan TaplinI n , Jonathan Taplin took part in a public debate with Alexis Ohanian, the founder of Reddit , about what the digital economy was doing to the creative arts. He suggested a reunion concert or album, funded by kickstarter, and launched on Reddit. Take your charity and shove it. Just let us get paid for our work and stop deciding that you can unilaterally make it free. As a result, it feels a little overfamiliar.
Move Fast and Break Things
If that [the Cleveland killing video that was uploaded to Facebook last weekend] happened on any TV station, you are wrong. Sign up with Facebook or. If you think this is a problem only for musicians, the FCC would have taken away their license, Taplin tells his taplih personal story with charm and insight. Along the way?
An award-winning team of journalists, designers. Authors are getting less money and book publishers have been devastated. The enormous profits that have come with this concentration of power tell their own story. No time to read.
Move Fast and Break Things takes a look at the grim reality of how giant tech companies are harming society in ways both big and small. Author Jonathan Taplin offers some light at the end of this dark tunnel, suggesting there may be better ways of negotiating with this technology.
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How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy
Jonathan Taplin Introduces MOVE FAST AND BREAK THINGS
Move Fast and Break Things tells the story of how a small group of libertarian entrepreneurs began in the s to hijack the original decentralized vision of the Internet, in the process creating a set of monopoly firms—Facebook, Amazon and Google—that now determine the future of the music, film, television, publishing and news industries. Taplin offers a succinct and powerful history of how we got to this point. He begins with a small group of libertarian entrepreneurs, Peter Thiel and Larry Page among them, who in the s began to hijack the original decentralized version of the Internet. The enormous profits that have come with this concentration of power tell their own story. More creative content is being consumed that ever before, but less revenue is actually flowing to creators and owners of the content.
Essentially, the artists got screwed. Of course, Serial and S-Town have their critics! If they had to take responsibility for what was on their platform like any TV breqk. Events Innovation Festival The Grill. Taplin's.
His background is perfect for the topics he explores. The tension between creators and technology goes back to the gramophone and zoetrope, but Taplin does a fine job of elucidating the massive implications underway today. Much ink has been spilled digitally or otherwise over the last few decades about the chasm between Silicon Valley and Hollywood, but much of it has been an overly simplistic discussion of differing perspectives. In essence, Taplin points out that Google and Facebook achieve their massive net profit margins because they dominate the means by which content is distributed on the net, while creating very little of it themselves. Whereas Spotify has been striking deals with record companies that drive more revenue back to the creators of content, the collapse of the fixed format compact disc sector of the music business has been catastrophic for many artists. Facebook refuses to negotiate agreements for the distribution of music and video on its platform.